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The monks who worked on Kells did not use gold leaf, commonly used in manuscripts of this kind, but they did use ultramarine, a color which, because of its scarcity, was as costly as gold in the 8-9th centuries.Perhaps the most compelling feature of the Book of Kells is the illustrations.

So many of the open letters (B, O, P, R) are filled with color that a viewer of Kells can imagine the monk being like so many of us, fillers of open letters., which was time-consuming to prepare properly but made for an excellent, smooth writing surface.

680 individual pages (340 folios) have survived, and of them only two lack any form of artistic ornamentation.

Perhaps a book lover irritated by a rushed view of Kells broached the idea of using modern technology to make Kells more readily available for study throughout the world.

Written on calf vellum, the Book of Kells is a Latin copy of the four Gospels.

Today the Book of Kells resides at the Library of the Trinity College of Dublin., primarily living in the North and East.

They are famous world-wide for their stone sculptures, which date from the around the 5th to the 9th centuries AD.

This, however, was lost when Viking raids in 793 sacked the monastery, killed many of the community The Book of Kells is the most recognized and most remarkable artifact of medieval Celtic art.

It features page after page of lavish, colorful lettering, knotwork, illumination, decoration and illustration.

They were the descendants of the Iron Age tribes indigenous to this area before the Romans arrived in Britain, and were No one knows what they called themselves as they left very few documentary sources or inscriptions.

Converted to Christianity, they produced carved stones that often combined their characteristic Pictish symbols, animals and mysterious abstract shapes with Christian designs and symbolism.

The craftsmanship shown in the Book of Kells is a distinctive treatment of sacred text, and the tandem work of scribes and artists in the scriptoria established a permanent place in the iconography of the Bible.

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