Foundations and principles of those ancient civilizations are the best techniques to conclude a better way of living & basing our future.
Like Kurdish or Pashto, its grammar and lexicon stem from this linguistic family.
Persian vocabulary is also characterized by a large input of loanwords from Arabic.
The history of the Mongols by ʿAṭā-malek Joveyni, for example, is not only the scrupulous work of a great historian but is also written by an eminent man of letters, creating a masterly balance by juxtaposing his fine prose with judiciously chosen lines from poets of the past, and most notably Ferdowsi, to buttress his own historical observations and record the dramatic happenings of his lifetime against a backdrop of cosmic events and heroic archetypes of Iranian traditional history echoing the same predicament (Joveyni, tr., II, pp. Once again an admirable balance is maintained between the recital of events and inclusion of historical exempla, and the personal rumination of a thoughtful observer and fine stylist.
Examining these writings from a literary perspective, and studying their use of the past heritage and shared cultural memory, would be highly instructive.
The Middle Persian language itself survived among communities of Zoroastrians in Persia in the first three centuries after the rise of Islam, and significant religious texts in Middle Persian are extant from this period (Bailey; Tafazzoli).
But it is in Classical Persian poetry, which relies so much on tradition and cultural memory, that the strong connections with the pre-Islamic past are displayed in sundry ways: in its meter (although adjusted to Arabic), as well as its vocabulary and major themes (Elwell-Sutton, 1976, pp. It is through a diachronic study of Classical Persian poetry that we can study the import of loanwords and syntactical structures from Arabic.
The script is the other major element borrowed and adapted from Arabic, with calligraphy (q.v.) developing into one of the finest branches of Islamic arts.
It is just as essential to the composition of poetry, and closely bound with Persian prosody and poetic imagery (Schimmel, 1992, pp. The Iranians also immersed themselves in Muslim culture through the medium of Arabic.
Given the importance of local courts and their patronage in sustaining poets and writers, it was inevitable that literature would be greatly influenced by schools of thought in different provinces of the Iranian world.